الرفض في شعر عدنان الصائغ
DOI:
https://doi.org/10.36322/jksc.v1i52.5284Abstract
تطرّق الشعراء مِن سالف الأيام إلی ظاهرة الرفض في أشعارهم، وکان ذَبّ الشاعر عن قبيلته ومکافحة بعض الأفکار تدخل في حيّز الرفض والتمرّد وقد طغی في الآونة الأخيرة بعض عملاء الاستعمار علی الشعوب العربية والشعوب الاسلامية کما تطاول الغرب علی البلدان الاسلامية من حروب وتيّارات فکرية سامّة، وقد تصدّی لها کوکبة من الشعراء ومنهم الشاعر العراقي المعاصر عدنان الصائغ والذي رَفَضَ جميع أشکال القهر والظلم والتعسف والتطاول علی الشعب العراقي الأعزل وأتی بنصوص شعرية رفض فيها جميع أنواع الظلم، يهدف هذا البحث إلی دراسة ظاهرة الرفض في شعر الصائغ وقد توصلت إلی أنّه استخدم آليات الرفض بالأسلوب الاستفهامي والأسلوب التعجّي والتکراري وتطرّق إلی رفض الأفکار السامة من قبل بعض المنتسبين للدين کما تصدّی لظلم النظام البائد ولطغيان الإمبريالية الغربية علی البلاد الإسلامية؛ دعا الشاعر في رفضه إلی نبذ الطائفية ونبذ الظلم والقهر کما دعا إلی الحرية والکرامة، کان المنهج المتبع في هذا البحث توصيفي-تحليلي.
Poets have addressed incompatibility in their poems since ancient times. Defending from their own tribes and fighting with some thoughts by poets are in the framework of incompatibility and rebellion. In contemporary times, some colonial puppets rebelled in Arabic and Islamic nations and the west encroached by raising war and creating wrong intellectual streams, and some poets such as the contemporary Iraqi poet, Adnan al-Sayegh, started defending. He is a poet who struggled against the tyrannies, bullying and aggression against the defenseless Iraqi people. He wrote poem collections in which he coped with all kinds of oppression. The purpose of this study was to investigate incompatibility in the poetry of al-Sayegh. We concluded that he has developed incompatibility means of expression in interrogative, exclamatory and duplicate styles and struggled against the wrong thoughts of some hypocrites and also the tyranny of the deposed Baathist Regime and guarding of West on Islamic countries. He called for freedom and invited to receding from sectarian divisions and oppression in his incompatible poets. The methodology of this study was descriptive-analytical.
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