Methods of speech in the poet Ali lafta saeed

Authors

  • Haider abbas Dakel Jabur Alshabany Qadisiyah Education Directorate
  • Assis. Prof. Dr. wissam Mohamed manshed Bander Alhelaly Department of Arabic Language, Al-Qadisiyah University

DOI:

https://doi.org/10.36317/kaj/2023/v1.i55.11365

Keywords:

Image, Diwan, verses, crowd, notice

Abstract

The monthly image is from imagination data, and it is in poetry in the imagination in employing the lot for creativity with us. My poetry and how that employment is what distinguishes the poetic image in the poet’s poem. It is a product of the activities of the imagination and the activity of the imagination does not mean the transfer of the world and half of what it means to reconfigure the underlying relationships between phenomena and the combination of opposing elements into an integrated artistic unit organized by the feeling of a novice full of feelings and feelings in the picture is always unrealistic, but rather a resort from reality to Mansoura.  Its essence is to the world of thought, and more than its belonging to the realm of reality, as it is a marriage between sense and meaning in order to grow and become mature in an artistic form. Artistic tools, that is, the process of melting the basic reality in the writer's imagination to form an image identical to the perceived reality in content and contradicts it in a form in the activity of the imagination that melts, fades, breaks and creates anew and shows the importance of the poetic image in that the poet moves us through this world to another world other than

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Published

2023-03-01

How to Cite

Alshabany, Haider, and wissam Alhelaly. “Methods of Speech in the Poet Ali Lafta Saeed”. Kufa Journal of Arts, vol. 1, no. 55, Mar. 2023, pp. 235-52, doi:10.36317/kaj/2023/v1.i55.11365.

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