The Wonderful Formation in the Poetry of Dhurgham Al-Barqaawi
DOI:
https://doi.org/10.36317/kaj/2023/v1.i56.11582Keywords:
alliteration, class, interview, science of the exquisiteAbstract
Literature in general and poetry in particular need the methods of the Budaiya to highlight its artistic images, and its creative aesthetics, as the image is based in its construction on the methods of statement and exquisite as main tools in drawing its dimensions and embodying its scenes to this end; the image for modernists: ((Any linguistic trick that means the distant - not the near - meaning of words, or changes the normal order of the words of the sentence or the letters of the word, or in which a metaphorical meaning replaces a real meaning, or in which the imagination of the hearer is raised by the nickname for meanings necessitated by the familiar meaning of the word, or In which words are arranged, or rearranged to improve the style of speech or increase its impact on the same reader or listener.[i] We will limit the study of the methods of exquisite formation in the poetry of the poet Dhurgham al-Barqaawi to three styles: alliteration, tabaq and interview, which does not mean that the rest of the creative methods are absent in his poetry, but we limited ourselves to these styles, because these styles are the most frequently seen in his poetry, and the clearest to appear.
[i] Glossary of Arabic Terms in Language and Literature: 127.
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