Manifestations of religious intertextuality in the contemporary Iraqi novel "I Had a Heart" novel by Fawzi Al-Taie as an example

Abstract

Through a careful contemplative look at the novel (I had a heart), the researcher noticed the presence of religious intertextuality clearly in this literary work, the novelist, and this use of intertextuality by the writer results from his influence on the Qur’anic style and religious culture, so that you find it present in his life and in his literary texts, so it was characterized His narration is of a religious nature; To suggest to us that religious texts are the key to the narrative text, or a sequel to it, or that they are part of it that you cannot separate from, and it is not possible to

distinguish between them except by looking and scrutinizing. Where we find the writer may

He was able to employ religious intertextuality in an intentional literary manner by summoning religious texts to his fictional text that indicates an integrated life and live characters who lived through the crisis of war, fear and anticipation, according to a wording that falls in an interesting form, to know the unknown through the folds of the novel I Had a Heart, so we see the writer has been inspired by the texts Religious to become an extension of his new text, the novel I had a heart simulates the religious text according to standards that accommodate the zigzags of the fictional text, standards that have no limits in new and varied flashes in the new text.