Forms of construction in the poem of the two part of (Mahdi Harith Al-Ghanimi, Aref Al-Saadi, Imad Jabbar)

Abstract

This research deals with the issue of construction as an element of the poetic form in the poem of the two parts, and the researcher has chosen poetic texts for three of the poets (Mahdi Harith Al-Ghanimi, Aref Al-Saadi, and Imad Jabbar) as a model in their vertical poems. The three poets by the modern constructivist forms that have emerged in modern Arabic poetry or not, and if there is an influence that has occurred in those texts, then what are the limits that the poetic form allows in the poem of the two parts to represent the structural forms that were common in the ancient Arab poem, especially since the three poets They write in more than one poetic form, and if those vertical poetic texts comply with those modern structural forms, Does this mean that the poets were subject to a conflict within them between those forms in which they write, and if the poet employs structural forms that are common in another form, such as tafel poetry in his vertical poem, this may mean that the poet may write his vertical poem consciously of the tafel poem, then it is There is an overlap between the forms for one poet, and this does not mean that there are no differences between the three poets in the way they construct the poem, as there is a distance separating each one of them, according to the different visions between them.