Rotation in Shawqi Bazie's Poetic Works

Abstract

Shawqi Bzei used rotation in his poems, trying to catch up with his fragmented fantasies, as if this rotation reflects the extent of the acceleration of the events around him with his helplessness in the face of them.

The use of rotation between the lines was not absurd in Bzeih's experience, as the research proved that the formal division of the lines carried other semantic advantages, with the notification of adhesion and cohesion between the parts of the poem or the rounded syllable.

In addition, the poet relied on narration in many of his poems, which calls for continuity and building words on each other, and this is another matter that was reinforced by musical rotation in the poems of Shawky Bazia. As the rotation suggests the frequency of events, their acceleration, their coalescence, their fluidity, and their flow like the flow of river water.
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