Absolute and restricted aesthetics in Islamic photography

Authors

  • Hassan Hadi Abdul Kazem Al-Ghazali الكلية التربوية المفتوحة - المديرية العامة للتربية في النجف الاشرف

DOI:

https://doi.org/10.36317/kaj/2019/v1.i42.1450

Keywords:

الجمال, المطلق, الخيال, اللامتناهي, المقيد, المرئي, المنمنمات, التصوير الاسلامي

Abstract

The research is a study of (Aesthetics of the Absolute and the Restricted in Islamic Photography), and the researcher adopted the research methodology, as the first topic was devoted to explaining the research problem, and the second topic was its importance and need for it, the research objective, its limits, and identification. The third topic was concerned with the terms contained in it. The research problem dealt with the topic of the aesthetics of the absolute and the restricted in Islamic photography, which was reflected in the works of the artists of Islamic miniatures by representing artistic forms with the limits of the infinite and the limited and restricted in the images of society and its customs in the Islamic era, where art was based on the visual documentation of the activities of the human spirit since the beginning of ancient civilizations and for this time

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Published

2021-10-05

How to Cite

Al-Ghazali, Hassan. “Absolute and Restricted Aesthetics in Islamic Photography”. Kufa Journal of Arts, vol. 1, no. 42, Oct. 2021, pp. 527-58, doi:10.36317/kaj/2019/v1.i42.1450.

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