Rhythm formations and consistency of the pre-Islamic praise text (praise of Bishr bin Abi Khazim to Aws Al-Ta’i as an example)

Authors

  • Fouad Fayyad Shtayyat المملكة العربية السعودية جامعة حائل – كلية الآداب والفنون

DOI:

https://doi.org/10.36317/kaj/2018/v1.i36.584

Keywords:

إيقاع, اتّساق, نصِّ, مديح, جاهلي, بشر بن أبي خازم, أوس الطائي

Abstract

The research studies the formations of rhythm and the consistency of the text of praise in the praise poems of Bishr bin Abi Khazim by Aws bin Haritha bin Lam Al-Ta’i in the pre-Islamic era, and tries to link the external rhythm of rhyme weight, the rhythm of homonyms, repetition, homophones, successives, or the structure of sounds in the poetic sense, and with the idea that the poet had. And prompted him to engage in praise of Aws al-Ta'i. The research finds that everything he mentioned falls within the circle of the poem's external rhythm.

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Published

2021-07-25

How to Cite

Shtayyat, Fouad. “Rhythm Formations and Consistency of the Pre-Islamic Praise Text (praise of Bishr Bin Abi Khazim to Aws Al-Ta’i As an Example)”. Kufa Journal of Arts, vol. 1, no. 36, July 2021, pp. 259-92, doi:10.36317/kaj/2018/v1.i36.584.

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