Expression in contemporary Iraqi ceramic sculptures
DOI:
https://doi.org/10.36317/kaj/2018/v1.i37.701Keywords:
:- الخزفية, التعبير, المنحوتات, معاصرةAbstract
The art of ceramics is one of the ancient arts that served as a link between the ancient peoples based on its influence, like the rest of the arts, on multiple levels in terms of its aesthetic appearance or themes, and then the nature of the language presented and the network of relationships and breaks through which the nature of this art and the centers controlling it can be analyzed. The phenomenon of research in artistic expression in works of art has become one of the important matters that must be studied. The research tries to come up with the law that controls the embodiment of the aforementioned concepts and presenting them plastically, and then the paths of Iraqi ceramics and its identity can be determined. In the light of this, the research was based methodically on: - The first chapter (methodological framework), in which the research problem, importance, objective, limits and definition of terminology.
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