Cultural patterns and the conflict of references in the opposites of the Umayyad Triangle (Garir, Al- Farazdaq, Al-Akhtal)

Abstract

This reading starts by relying on the idea of ​​the cultural system, which in turn is the most important mechanism of cultural criticism. This study also attempts to reveal the implicit cultural patterns hidden behind the artistic aesthetics in the contradictions of the Umayyad Triangle (Jerir, Farazdaq and Al-Akhtal), and to engage in a reading that goes beyond the search for aesthetic and artistic elements, to search for the cultural patterns rooted in it and the intellectual and ideological backgrounds behind it and the human conflict and the resulting existentialism. This research is based on reading the human existential conflict patterns in the contradictions of the Umayyad triangle, in the light of a textual study that takes the apparent and implicit forms as an expression of the poet’s conflicting self, relying on a new reading of the poetic text to study the most prominent apparent and implicit patterns behind the structure of the text to highlight the poet’s present culture in the depths Literary discourse, dividing the research into three antagonistic