Statistical and graphic proportionality in the Quranic expression

Authors

  • Aqil Abdul Zahra Mubader University of Kufa- College of Arts

DOI:

https://doi.org/10.36317/kaj/2009/v1.i1.6378

Keywords:

التناسب الإحصائي والبياني

Abstract

Arabic scholars agree, with their different sects and their many approaches, that the Holy Qur’an is the greatest book of Arabic and its immortal book whose wonders do not expire and are not created by too much refutation. Follow him, he does not deviate, so he reprimands, and he does not deviate, so he straightens...... ( )
Despite the fact that scholars and researchers, both Muslims and non-Muslims, ancient and modern, have said and written a lot about (Qur’anic rhetoric), and have proven with their articles and writings that the Qur’anic expression represents the finest kind of Arabic eloquence, this subject remains pristine and modern…, and perhaps the best Evidence of its modernity is that it still affects us in an impact that no other artistic expression can have, no matter how eloquent and eloquent it is, because (Hadith) is called modern according to the effect it has on the souls, meaning that the degree of modernity of any text is measured according to what This text has an impact on the hearts of its recipients throughout the ages. This is what is called by the people of literature as (eternal literature), so the poetry of Imru’ al-Qays is modern, Nahj al-Balaghah is modern, the poetry of al-Mutanabbi is modern, what William Shakespeare wrote is modern, the poetry of al-Jawahiri is modern, and what Taha Hussein’s imagination created from an abstaining plain is modern, and other than that. The wonderful literary and artistic effects that still affect us, as we sing about them and shake to hear them, despite the divergence of the times and places in which they were said and the divergence of the cultures from which their creators were issued.

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Published

2008-09-24

How to Cite

مبدر عقيل. “Statistical and Graphic Proportionality in the Quranic Expression”. Kufa Journal of Arts, vol. 1, no. 1, Sept. 2008, pp. 157-85, doi:10.36317/kaj/2009/v1.i1.6378.

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