Methods of poetic photography in the poem of the two parts of (Mahdi Harith Al-Ghanimi, Aref Al-Saadi, Imad Jabbar)

Abstract

Titles of the elements of the poetic form in the poem of the two parts, and it is taken from the poetic texts of three poets (Mahdi Harith Al-Ghanmi, Aref Al-Saadi, and Imad Jabbar) as a model for the study to follow the manifestations of this poetic image in the poetic texts, to examine the extent of its compliance or its requirements for the terms and limits of the poetic form of the poem of the Shata'a By revealing the contradictory tradition before the poets in the production of poetic images of messages in their vertical poems, the poets mixed the pictorial in the traditional poem, and the explanatory character produced by the Arab modernity movement, this does not mean that the poetic image came on a single level among the poets, as there are differences between them, according to their differences in visions and cultural references that fed the linguistic fabric of each of them’s poems.