The Cinematic Mise-en-scène Factors in the Yunis Albosaeedi's Poetry Book" the Mistro of the Flower and the Light"

Abstract

Mise-en-scène is cinematic technique which means the dominance of the director on what appears in the framework of the video such as illumination, accessories, decoration, make-up, and the movement of the actor in the framework and all that is possible by the written text. And, because poetry is a creative art that follows the process of current issues it borrows the expression means from the modern visual means. One of the modern technicalities that affected modern poetry is Mise-en-scène. One of the significant poets who used it this phenomenon is Yunis Alboosaeedi who enriched his poetry book with Mise-en-scène.

   This descriptive analytical study tries to discover the cinematic Mise-en-scène and its factors in the poetry book of the Omani poet"the Mistro of the flower and the light". So the purpose of the study is to explore the importance of cinematic Mise-en-scène in the mentioned book and the poet's control over this technique. The main centers of this study are the factors which are related to the Mise-en-scène such as illumination, colours, decoration, clothes, the movement of the artists in the poetic texts. We concluded that the poet, based on the Mise-en-scène, could create a complete accordance among the poetic shots. He used illumination as a main role player in clearing the visual factors which seemed to be three-dimensional. The poet used colours to facilitate the cut and paste among shots and he also he focused on the decoration shots to arouse the reader's feelings and impression in the poetic scene.