Aesthetic depiction of the manifestations of nature in the Holy Quran
DOI:
https://doi.org/10.36317/kaj/2022/v53.i1.10263Keywords:
the Noble Qur’an, aesthetic photography, aspects of nature, the analytical method, the elements of beauty, excitement and suspense .Abstract
This study focuses on one facet of the Holy Qur'an's rhetorical miraculousness. It has chosen imagery from nature in an effort to stop at those that the Holy Qur'an often employed, particularly while showing the existence of God, the One, the adored Creator, and His power to resuscitate and resurrect.
A number of chosen natural images from the Holy Qur'an have been the subject of research that has depended on the analytical technique, at times using the analysis and interpretation of a group of interpreters who have stopped at particular images.The study then came to the conclusion that the Holy Qur'anic depictions of nature do contain elements of beauty and suspense. A description's accuracy, reality's conformity, the best choice of depicting perspectives, the arrangement of display movement, and investing in encounter efficacy,
transforming the connotations of internal and external movement in images, as well as other aesthetic components that gave the Holy Qur'anic depictions of nature many moments of suspense and excitement. These aesthetic components also worked in conjunction with the connotations of sense, logic, and proof to achieve the function that reveals the purpose for which the image was used in the text.
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Copyright (c) 2022 Ammar Abdul-Ameer Al- Salam
This work is licensed under a Creative Commons Attribution 4.0 International License.