The New Penelopean Poetics: A Feminist Reassessment of the Victimization of Women in Edna St. Vincent Millay’s ‘‘The Ballad of the Harp-Weaver’’ and ‘‘An Ancient Gesture’’

Authors

  • Areej Muhammad Jawad University of Kufa- College of Arts
  • Rana Jabir Obed University of Kufa- College of Arts

DOI:

https://doi.org/10.36317/kaj/2015/v1.i25.6293

Keywords:

The New Penelopean Poetics

Abstract

The Greeks have a certain authority, for they are the source of the Western traditions of poetry, philosophy, and science. The figure of Penelope in the Homeric epic can be seen as a symbol not only for woman’s trials in general but also for the trials of the woman artist in a man’s world. This study explores the penelopean myth as ideological tool of patriarchal system and it argues that gender stereotypes set in Greek myths have been recreated later by the modern American poet, Edna St. Vincent Millay. Encouraged by the feminist movement, Millay revised and rewrote the penelopean myth highlighting the gender stereotyping as an important feature in her poems, ‘‘The Ballad of the Harp-Weaver,’’ and ‘‘An Ancient Gesture.’’

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Published

2016-01-18

How to Cite

Jawad, Areej Muhammad, and Rana Jabir Obed. “The New Penelopean Poetics: A Feminist Reassessment of the Victimization of Women in Edna St. Vincent Millay’s ‘‘The Ballad of the Harp-Weaver’’ and ‘‘An Ancient Gesture’’”. Kufa Journal of Arts, vol. 1, no. 25, Jan. 2016, pp. 47-60, doi:10.36317/kaj/2015/v1.i25.6293.