Semantics of the image of the journalist in the Arabic theatrical text (The acrobat and knew how to die as a model)

Abstract

introduction:
The image of the journalist is one of the very important and rare images in its dramatic drawing in the Arab theater, and even the world, so writers rarely pay attention to this image in order to be employed theatrically.
In the Arab world... he tried to draw for it the presence of (Noman Ashour - Rashad Rushdi - Michael Roman - Muhammad Salmawi - Muhammad Al-Rashoud - Abdulaziz Al-Sari'i).
However, their images were largely secondary, and did not focus entirely on the theatrical game.
But the picture took a wide range of both..
Youssef Idris in the play (The Acrobat)
And Tawfiq al-Hakim in the play (He knew how to die)
Hence the importance of this study in monitoring this image in both plays.
The professional performance of the communicator in the press is affected by many objective and subjective factors, whether these factors are from within the newspaper in which he works, or from outside, emanating from the position of the newspaper within the framework of the ideological-political struggle in society, and the extent to which it relates to media policy and the general orientations of the state. Others are linked to the personality of the contact person, and take many forms: self-pressure, professional pressure, and administrative pressure from his superiors and colleagues at work, pressure from authority, legislation, influence groups, various interests, advertisers, news sources, community values, the public, and others. This case is illustrated by monitoring the intensity in theatrical texts
All these factors come together to form control over his professional performance, and control at the present time takes many different forms and forms, the most important of which is self-censorship.
Hence self-censorship emerged that lies within the journalists themselves, as they know their limits well, and they have an internal self-sense of the professional standards of publishing by virtue of practice and journalistic experience. From the game of self-censorship and concern for professionalism and credibility, the idea of this study began.