Al-Mutanabbi as a mask in Arabic poetry in Iraq ( 1947 iilaa1970)

Abstract

Summary:

The research dealt with the issue of the mask in Arabic poetry in Iraq due to the acceleration of political events and the poet’s influence by them, a reality similar to Al-Mutanabbi’s reality at the time. Therefore, Al-Mutanabbi summoned a mask to express the nation’s hope for liberation and rejection of injustice. The research came in three axes: Al-Mutanabbi’s axis is a mask in the vertical poem, which is in fact an approach to persuasion, as  The poet of the vertical poem did not succeed in calling Al-Mutanabbi a mask, and the topic of the mask has not yet been established due to its recent nature.

In the second and third axis, the poet of the ta’feela was able to convince himself of the character of Al-Mutanabbi, in harmony with the modern critical reality, especially Al-Bayati, a textual producer of Al-Qina’, and the author of a book on Al-Qina’, which means that the experience was firmly established in him.

The sixty-year-old poet is greatly concerned with change, as he strives to cross the tight circle of ta’afil poets, and he found in the symbol.