هرمنيوطيقا الجمال عند غادامير دراسة تحليلية

Abstract

In an attempt by Gadamer to reach or approach the understanding of aesthetic consciousness, he launched his project in his own perception of the relationship of art to reality or the world, and that works of art were not created for purely aesthetic purposes, criticizing the Kantian conception of beauty and converting it from taste to the abstract beautiful, justifying Gadamer's understanding of the aesthetic moment in that art was It represents a realistic presence in the Greek heritage through art as a game, symbol and celebration. As for the phenomenon of alienation of temporal and aesthetic awareness, it represents a presence in the present through the medium of language that is embodied and confirmed by writing (the text), which allows the interpreter and the interpreter to enter into the dialogue of the written textual embodiment that represents the other presence.

In a brief research attempt in which the researcher tries to investigate the philosophy of beauty within Gadamer's vision in two sections, the first section deals with the criticism of aesthetic awareness and the establishment of the hermeneutics of art, and the second section deals with the interpretation of beauty within the basic concepts of Gadamer's theory of play, symbol and celebration, and a conclusion.