أساليب التكرار في ديوان (عواطف وعواصف) لعلي الشرقي

Abstract

Repetition is one of the most prominent artistic and stylistic phenomena in contemporary critical studies, as it achieves creative and aesthetic value in literary discourse, and reveals to us the real content behind this discourse, and we try in our research to monitor the types of repetition and its impact on the Diwan of emotions and storms of Ali Al-Sharqi, and its impact on creating poetic rhythm and beautifying speech on the one hand, and on the other hand transferring the message from the sender to the addressee, by investing the principles and mechanisms of the artistic approach in analyzing the structure of repetition in Eastern poetry, namely On different types, including literal or phonetic repetition, nominal repetition, actual repetition, and repetition of phrases0 The repetition of these structures had a clear impact in giving some of his poems, quatrains and Mowasalat, a rhythmic dimension and a musical timbre, which contributed to supplementing the rhythmic structure in general, and achieved some of its semantic purposes that the eastern tried to express and deliver to the recipient, and the repetition of the poet did not come as a filler, but rather came for a stylistic semantic purpose, and the repetitive structure was one of the most common stylistic phenomena for him, which prepared the text for coherence and cohesion, And it came to serve his vision and deliver his message to the recipient, so he earned his hair