The manifestation of resistance in the poetry of Sulafa Al-Hajjawi and Nasrallah Mardani
DOI:
https://doi.org/10.36318/jall/2022/v1.i35.3712Keywords:
Al - Shaheed image, Salafa Al – Hajjawi, Nasrallah MurdaniAbstract
The contemporary writer cannot be separated from the issues of his homeland, for his fate is linked to the fate of the group to which he belongs, and his literature embodies the concerns and struggles of his homeland, and thus we obtain the term 'resistance literature', which is characterized by specific features that make it a committed literature concerned with discussing the issue of liberation and confronting the individual and collective self to the other. The aggressor, on all political, social and intellectual levels. The two poets, Sulafa Al-Hajjawi and Nasrallah Mardani, were among the most prominent poets of the resistance in Palestine and Iran, and the two poets were similar in many axes of resistance, such as urging revolution and jihad, hope for salvation and final victory, glorifying the Palestinian martyrs, stripping Zionist crime, exile and nostalgia for the homeland. Their poetry has also reached its highest artistic levels..
It is also noted that the poet included in her lament the various sects of the Palestinian martyrs, once the general Palestinian martyrs, and sometimes the martyr leaders, as well as the martyrs of the children of stones and the guerrillas, and she used various aesthetic arts such as similes and metaphors.
Nasir Allah Murdani described the struggle of the martyrs and often referred to the desire to testify and to describe the martyrs. He motivated by his passion for and the passion for sacrifice.
It's also noted that he has adopted metaphorical and paranormal visualization, along with symbolic visualization, in the presence of Imam Al-Hasan Al-Habi and Al-Habi, the symbols of martyrdom and sacrifice. The poet has borrowed multiple images through the blood features of the martyrs.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
which allows users to copy, create extracts, abstracts, and new works from the Article, alter and revise the Article, and make commercial use of the Article (including reuse and/or resale of the Article by commercial entities), provided the user gives appropriate credit (with a link to the formal publication through the relevant DOI), provides a link to the license, indicates if changes were made and the licensor is not represented as endorsing the use made of the work.