أمريكا في الشعر الفلسطيني الحديث (الصور التشبيهية انموذجا)

Authors

  • niemat eazizi دكتوراه في اللغة العربية وآدابها من جامعة لورستان - قسم اللغة العربية وآدابها بجامعة ايلام
  • ali nazariana جامعة لورستان - قسم اللغة العربية وآدابها
  • sayid mahmud almirzay alhusayni جامعة لورستان - قسم اللغة العربية وآدابها

DOI:

https://doi.org/10.36317/kaj/2019/v1.i40.868

Keywords:

الصورة, التشبيه, أمريكا, فلسطين, الشعر الحديث

Abstract

Making simile is one of the subjects of the ancient Arabic critique, that different views around its elements has been presented. Simile is one of these important elements and techniques through which poets have tried to express their opinions and feelings about the world surrounding them. The political image of the United States of America is one of the topics that has turned to a major topics in Palestinian poetry. According to the policies of the United States and its role on the events of the past centuries, its hostile attitudes and intervention in the affairs of countries, especially occupied Palestine, has become one of the most important topics in the poetry of the Palestinian poets, depicting USA in a different ways. Simile is one of the most important methods and techniques by means of which Palestinian poets have been able to demonstrate the American positions and their crimes against other countries, including Iraq, Vietnam, occupied Palestine etc. The study seeks to uncover the real American image, positions and policies that have been presented in the form of metaphorical images from the contemporary Palestinian poets; Poets like: Samih Al-Qasim, Moin BaSisou, Burhanuddin al-Bushi, Saleh Freonate etc. Among the substantial result of this study, which has been achieved through a descriptive-analytical method, is that the Palestinian poets have contrasted the United States to the wolf's savagery, the sabotage of the evil, and Satan's seduction.

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Published

2021-09-21

How to Cite

eazizi, niemat, et al. “أمريكا في الشعر الفلسطيني الحديث (الصور التشبيهية انموذجا)”. Kufa Journal of Arts, vol. 1, no. 40, Sept. 2021, pp. 101-24, doi:10.36317/kaj/2019/v1.i40.868.

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