Phase Transitions Phase Transitions of The Symbols of Existence in The Characters of Heroism

Abstract

- Abstract:

The research of the phase transformations of the symbols of existence in the characters of heroism, within the Diwan “Horizons of The Horses” by Ibrahim Al-Saafiin, shows that there are spatio-temporal paradoxes that illuminate the ambiguous inwardly and outwardly and entrench the ideological challenge to the manifestations of deterioration.

The preliminary treatment is centralized in the introductory framing of the linguistic and idiomatic concepts and the characteristics of the poetic diwan. This is an introduction to the approach of discourse indicators, contextual implications, and stylistic features through three sections that reveal the symbols of presence in the general characteristic of heroism, the symbols of existance in the persona of heroism after the Naksa, and the symbols of existance in the persona of heroism during the Intifada (1987).

The scientific foundation follows the descriptive approach by clarifying concepts of terms, group characteristics, and reasoning in poetry texts and induction to draw the pivotal conclusions. This is based effectively on the pillars of historical, cultural and integrative criticism.

The researcher inferred the poet’s keenness to monitor the stages of the heroism formation, and the continual growth of the image of the resistant hero. This is to invoke the resurrection of existence through defiance and resistance, and to affirm the national rights to the land, to confront the tyranny of the other and to dispel its imaginary image to prompt the manifestations of alienation, refraction, and alienation. This is done by drawing inspiration from the pillars of steadfastness, persistance, courage, strength, loftiness, and advancement, from the depths of bereavement, darkness, and death. This is based on the active reliance on rhetorical and stylistic diversity through using the techniques of photography, encoding, intertextuality, displacement, and paradox, as well as the linguistic and informative structure consistent with the context, and the epic formation of the example of the Canaanite rebel young man, and the title inclusion of signs of rebellion, revolution, and heroism.