A comparative study of the graphic miracle between the two interpretations of "Tahrir and Enlightenment" by Ibn Ashour and "From the Inspiration of the Noble Qur'an" by Mr. Fadlallah

Abstract

Perhaps it can be said that one of the most prominent aspects of the Qur'an's miracle is the rhetorical miraculousness or eloquence and eloquence of the Qur'an. The eloquence and eloquence of the Qur’an had a special appearance since the time of the Prophet (PBUH), which is the pinnacle of eloquence, eloquence, and rhetoric, and made the Qur’an a miracle for every age. Based on the fact that understanding the verses is very important in individual life and in social life; It is indispensable to pay attention to conceptual issues and challenges from the point of view of the Qur’an. Therefore, scholars of the modern era turned to the literary and aesthetic side of the Qur’anic interpretations, such as the interpretations that focused on the linguistic and aesthetic dimension of the verses, including my interpretation of “Tahrir and Enlightenment” written by Ibn Ashour and “From the Inspiration of the Noble Qur’an” by Mr. Fadlallah. In this study, according to the descriptive-analytical approach, we try to show the aspects of the metaphorical miracle between the two aforementioned interpretations. The results indicate that Ibn Ashour and Mr. Fadlallah mean in their interpretation of the rhetorical aspects as an entrance to the renewal of the methods of interpretation in the modern era, as they see that the most distant purpose is to consider the Qur’an as the largest book of Arabic, and protected its entity and immortalized with it. Then they arrive at defining the importance of the literary approach to addressing, interpreting and understanding the Qur’anic text. They agree that the common expressive feature in all the surahs and noble verses tends to use similes of all kinds, metaphors and metaphors according to the context, and this is one of the aspects of the miraculousness of the Noble Qur’an.