A Critical Study of Synesthesia (in Nazik al-Mala'ika's Work)

Authors

  • Sudabh Mozaffari Al-Khwarizmi University, Faculty of Arts and Humanities Author
  • Khadija Hashemi Al-Khwarizmi University, Faculty of Arts and Humanities Author

DOI:

https://doi.org/10.36324/fqhj.v2i28.8340

Keywords:

Contemporary Iraqi poetry, Nazik Al-Malaika, criticism, synesthesia, jurisprudence.

Abstract

Sensory imagery is the primary source of poetic imagery, and synesthesia is a significant manifestation of realism and sensuality in poetic imagery. Contemporary poets employ synesthesia not only to enhance the aesthetic appeal of their poetry, but also because synesthesia plays a powerful role in embodying the poet's intentions and the impact of expressive phenomena. It is considered a symbolic tool in modern poetry. Nazik al-Mala'ika, the contemporary Iraqi poet, extensively utilized synesthesia in her poetry to express her thoughts and psychological states.

The study concluded that synesthesia manifests in Nazik al-Mala'ika's poetry in various forms, including: blending visual and auditory impressions, blending visual and tactile perceptions, blending visual and olfactory impressions, and blending visual and gustatory senses. Synesthesia served as the most effective expression for the poet, who bore the burdens of life and the society in which she lived, and who possessed a profound sensitivity.

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Published

11-06-2026

How to Cite

Sudabh Mozaffari, & Khadija Hashemi. (2026). A Critical Study of Synesthesia (in Nazik al-Mala’ika’s Work). Journal of Jurisprudence Faculty, 1(28), 165-188. https://doi.org/10.36324/fqhj.v2i28.8340

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