The knot and its mechanisms in some of the stories (what Youssef said) by Sabah Abbas Anouz

Abstract

The research dealt with the knot and its mechanisms in some of the stories (what Youssef said) because of the truthfulness of the experiences that the stories had gone through, and the distance from falsifying or obscuring facts, until the message of literature was clear, extending its reformist bridges between the creator and the recipient. The text is a special world that the recipient understands with its objective signals and data that control its direction, but it is based on the need to arm the readers themselves with a certain level of culture to understand the text through rooting and analysis of the topics it touched upon, revealing the energies of expressing the issues and the writer’s positions on them and deepening their experiences through The knot that made the text a dire reality that the recipient feels as a present and not as an imaginary image. The knot was characterized by its growing narrative starting from the show and passing through the events and the climax to solving the knot. It became clear to us that the writer places for the reader a world molded with an interesting narrative character in which the narrator moves from the real world to imaginary worlds parallel to him. Linguistics on the one hand and poetic stylistics on the other hand, and the one who scrutinizes the semantic depth of the artistic beauty of the stories sees to him that this fine literary casting was not spontaneous, but rather has artistic connections that pull each other, and we will see that by studying the knot in (What Yusef said)