The concept of women according to Fadwa Touqan and Simin al-Behbehani - a comparative study

Abstract

Comparative literature stands in a middle position between literatures to monitor the movement of global currents and their impact on national literature and the impact of this national literature on other literatures. Eastern women, especially Iranian and Palestinian women, have received the attention of many writers and writers of different directions and the multiplicity of their interests. It occupied a prominent place in their literary production, whether it was poetry or prose. It was the sensitive chord that is affected by the movement of reality, and affects it. Fadwa Touqan (1917-2003) is one of the most important Palestinian poets in the twentieth century. She comes from the city of Nablus, and she is from a well-known Palestinian family. She was called the poet of Palestine, as her poetry represented a strong foundation for female experiences in love, revolution, and women’s protest against society. The Iranian poet and was famous for the spinning woman, and she was a woman's poet, and whenever she talks about society, she defends women in general. The woman who empowered poets in his time, in a country that seeks to join this women's forum, and he was also the editor-in-chief of the future of Iran. A member of the Women's Development Association and the Democratic Party for Revenue. Behbehani and Touqan talk about women and their status, women's education, women's work, and their lost rights. In this article, we adopted the descriptive-analytical approach to discover the radiances of the aesthetics of women's forms in the poetry of Fadavi Touqan and Simin Behbehani